A Life Of Delusion
Explanatory
Nomenclature:
With A Peniality That Would Cast Glory On A Cocktail Weenie,
Delusional King Farouk, Last Dynastic Sovereign Of Egypt,
Despite Impotence, Set The Style For Corpulent Playboys, Gambled
Away Fortunes, Practiced Theft, From Grand Larceny To
Pickpocketing, And Having Met A Mysterious Death, Few Shed Tears
Poolroom Title:
Category Ten “Spoiled Shitless” With Unrestrained Self-Worship Tantrums
Oil
on canvas
1999
50 X 72 inches (127 x 182.9 cm)
A
Square Peg In A Round Hole
Explanatory
Nomenclature: Using
An Example Of Mismatched Toys Forced Into A Misfitted
Conjunction, And Then Poetically Attributing This Pressing Of
One Shape Through Another As Synonymous With Misdirected
Tenacity, Is Like The Analogy Just Described: A Metaphor
Extrusion
Poolroom
Title: “What
A Hammer Can’t Fix Is Something That Ain’t Broken”
Oil
on canvas
1999 30
x 36 inches (76.2 x 91.4 cm)
The
Appetite That Dare Not Be Appeased
Explanatory
Nomenclature:
When A Boy Puts Away Boy Things And Bares The
Accoutrements Of Men,
He Unknowingly Inherits Adult Prurient Turpitude, But Through
Unsophisticated Eyes, Every Pig Is His Sow, Every Dog Is His
Bitch And Every Demure Colleen His Focus On Derision
Poolroom
Title:
“Every Woman Is A Whore,” A Notion Recanted By Every
Mother’s Son; Hence, If She Were So Pure You Wouldn’t Be
Here
Oil
on canvas
1999
24 x 40 inches (61 x 101.6 cm)
Art’s Triumph Over Substance
Explanatory
Nomenclature: Often In The Course Of A Fool’s Life, Something Silly Can
Enter Into The Zone Of Ruptured Logic Where Emotions Add Berserk
Irony To Anything That Would Permit The Abstractly Gifted To
Dictate To God
Poolroom
Title: At Quantum Vaudeville The Intermission Is The Performance
Oil
on canvas
2000
30 x 36 inches (76.2 x 91.4 cm)
Bastardizing Of The Autonomy Of “Person, Place And
Thing”
Explanatory
Nomenclature: Paint For Me The Picture Of Being Here And There, And At The
Same Time Everywhere, While Repairs Are Being Made To Elastic
Truths, Rubber Physics And Malleable Cockamamie
Poolroom
Title: Garage Surrealism
Oil
on canvas 2000
30 x 36 inches (76.2 x 91.4 cm)
Child
Bride
Explanatory
Nomenclature:
Concubinage Of An Impubic Young Brat Backwoods Wife Is
Strikingly Contrasted As A Mascot Emblem Ensconced On The Side
Of A Spacecraft To Immortalize The Object Of Every Old Fool’s
Dreams; The Infant Wife
Poolroom
Title:
Appalachian Babycakes And Her Father-Figure Husband’s
Penile Dropsy
Oil
on canvas
2000
20 x 24 inches (50.8 x 61 cm)
Child
Substitute
Explanatory
Nomenclature:
An Artificial Infant Composed Of A Mulching Gnarled
Protuberance Of An Exposed Root System From An Ancient Conifer
Serves To Bless A Postmenopausal Motherhood
Poolroom
Title:
Mumsy’s Twig-Baby Is A Thorn In The Placenta
Oil
on canvas
2000
30 x 36 inches (76.2 x 91.4 cm)
“Don’t Feed The Dog At The Table”
Explanatory
Nomenclature: Sanctifying The Cries Of Baying Hounds While The Homeless
Perish Is The Misfortune Of Those Unable To Distinguish Between
A House Pet And A Guest
Poolroom
Title: The Most Pathetic Thing About A Goddamn Begging Dog Is Its
Begging Master
Oil
on canvas
2000
30 x 36 inches (76.2 x 91.4 cm)
The
Lap-Dancer And The Firebug
Explanatory
Nomenclature:
Erotic Choreography Performed By A Nubile Nude
Entertainer For A Matchbook-Cover Collector And Part-Time
Arsonist In A Close But “No-Contact” Proximity, Lends New
Insight Into The Metaphor “Hot;” Hot Like Mixing
Pyromaniacal Unrequited Love With Bare-Breasted And
Visible-Genital Terpsichore (Dancing)
Poolroom
Title:
Crotch Fire Sale At The Ballet Of Hovering Clams
Oil
on canvas
1998
40 x 30 inches (101.6 x 76.2 cm)
Minotaure-On-High
As Witnessed By His Antediluvian Retainers
Explanatory
Nomenclature:
The Tranquil Poetry Of Forest Murmurs Is Shattered As A
Prophetic Strato- Cumulus Visitation Is Announced To A Reposing
Melancholic Effeminate Bovine By His/Her Hominid Lackey-Domo
Retinue
Poolroom
Title:
Moo-Moo Doo-Doo In A Tutu
Oil
on canvas
1998 40 x 30 inches (101.6 x 76.2 cm)
Perplexities Of The Adult World
Explanatory
Nomenclature: When Children Cease To Believe That Everything An Adult Does
Is The Predestined Act Of An Unquestionable Clock-Drive, And
Come To Realize That Even To Spinoza, A “Thingamajig,” Is
Still A “Doohickey,” Their Age Of Oblivious Bliss Has Been
Rescinded
Poolroom
Title: Billy And Cynthia Watch Ol’ Gus Puke Up A Twenty Mile Long
Ham-Nosed Imp
Oil
on canvas 2000
20 x 24 inches (50.8 x 61 cm)
The
Phallic Anvil-Drop That Signifies A Bad Idea
Explanatory
Nomenclature:
In The Promenade Of Injudicious Logic, Hindsight Is The
Rain That Suspends Stupidity’s Parade; Not Eliminating It,
Consequently, Barring Foresight, We Are Sill At Liberty To
Exercise Stellar Idiocy
Poolroom
Title:
“Does It Take A Special Hammer To Chase A Fly Off A
Baby’s Head?”
Oil
on canvas
1998
40 x 30 inches (101.6 x 76.2 cm)
Play
On Words
Explanatory
Nomenclature:
With A Scene From The Battle Of The Belleau Wood
Protruding Out Of An Oral Cavity Which Resembles A Poor Boy
Sandwich, Even a Sophomore Medical Student Could Diagnose And
Read The Rebus Clues From A Child With “Trench Mouth”
Poolroom
Title:
A Pun Done For Fun By A Moron Is An Oxyimbecile
Oil
on canvas
1999
24 x 40 inches (61 x 101.6 cm)
The
Psychological Profile Of An Earthworm
Explanatory
Nomenclature:
In Analyzing Live Bait, Questions Diverge On How Complex
Are Its Clandestine Motives To Entice, Compared To Its Neurotic
Tendencies To Exhibit Signs Of Having A Complex; Or Do Worms
Traumatize While They Tantalize?
Poolroom
Title:
Scrumptious Bitch Grub Ruttin’ On The Hook Is An
Angler’s Sweetheart
Oil
on canvas
1998
20 x 24 inches (101.6 x 76.2 cm)
Putting
The Genie Back In The Bottle
Explanatory
Nomenclature:
When The Greatest Minds Of Our Time Can Reinsert The
Giant Arabian Golem Of Samarkand Into His Magic Lamp, Sinbad The
Sailor Will Drown Wrapped In Aladdin’s Flying Carpet, And Ali
Baba Will Find His Forty Thieves In A Thimble
Poolroom
Title:
Only The Areolas Of Scheherazade Can Draw A Boil To A
Head Through A Turkey Baster
Oil
on canvas
2000
30 x 36 inches (76.2 x 91.4 cm)
Requiem For A Fraudulent Ancestor
Explanatory
Nomenclature: Verily,
If No Scientific Scrutiny Is Withstanding, Not Only Did The
Piltdown Man Exist, But He Was The Victim Of An Archaeological
Cover-Up To Suppress Romantic Inclinations That A Prehistoric
Man Could Telekinetically Transport Himself Forward Into 13th
Century England To Be The Product Of A Union Between An
Indentured Medieval
Laborer And An Estrus Receptive Sumatran Orangutang
Poolroom
Title:
When Ancient Relatives Become Extinct From Never Existing,
That’s Contraception In Reverse
Oil
on Canvas
1999
50 x 72 inches (127 x 182.8 cm)
Slave-Made
Toys From Amiable Old Cathay
Explanatory
Nomenclature:
Using Racial Stereotypes To Make Visible The Forced-
Labor Practices Existing In Sino-Industrial Slave-Labor Camps
That Manufacture Innocent Dolls For Unsuspecting Children,
Brings To Light The Need To Emancipate Politically Indentured
Lackeys, A Situation That Makes All Toy Merchants Accomplices
Poolroom
Title:
She-Coolies Sweatin’ Bamboo Blossoms In A Stuffed-Panda
Gulag
Oil
on canvas
1998
40 x 30 inches (101.6 x 76.2 cm)
