Part of the 13th Annual New Music Festival, Pamela Madsen, Artistic Director
Strange and Sacred Noise (1991 – 1997)
I. …dust into dust…
II. solitary and time-breaking waves
III. velocities crossing in phase-space
IV. triadic iteration lattices
V. clouds and clusters on a quadrilateral grid
VI. …and dust rising…
The Los Angeles Percussion Quartet presents John Luther Adam’s concert-length masterpiece Strange and Sacred Noise. "Not just for percussion music, but for contemporary classical/experimental/avant-garde/whatever-you-want-to-call-it- music.” (Christian Hertzog, Sequenza 21)
Since 2009, the Los Angeles Percussion Quartet, or LAPQ, has forged a distinct identity as a world-class contemporary chamber music ensemble who is dedicated to commissioning and presenting new works for percussion quartets. Originally, members Nick Terry, Matt Cook, Justin DeHart, and Cory Hills joined together to create a classical percussion ensemble that would champion the important contributions of 20th century West Coast composers while collaborating with local artists to continue the tradition of innovation and exploration. Today, the group continues their mission while broadening creative output through recordings, performances, and educational outreach.
Part of the 13th Annual New Music Festival, Pamela Madsen, Artistic Director
Kimo Furumoto and the University Symphony Orchestra when the movies take center stage in Meng Concert Hall! An evening filled with music from the cinema will be featured, along with the Music Associates annual Concerto-aria competition winner, clarinetist Rimvydas Savickas.
John Williams: Star Wars
Bruce Broughton: Silverado
plus: Bernhard Henrik Crusell - Clarinet concerto No.3 in B-major (1st movement)
Featuring Bill Cunliffe, piano, Jeff Ellwood, saxophone, Paul Kreibich, drums and Luther Hughes, bass.
Performing the music of Dave Brubeck.
Pre-Concert Talk on Dave Brubeck by Chris Brubeck & Bill Cunliffe
Wednesday, March 5, 2014, 7:30pm
Meng Concert Hall
Chris Brubeck first hit the music scene as an innovative rock and jazz musician, eventually recording and performing with his Dad, the legendary Dave Brubeck. He plays bass, trombone, piano, guitar, sings and has earned international attention as composer, performer and leader of his groups, The Brubeck Brothers Quartet and Triple Play. Onstage, Chris' irrepressible enthusiasm is matched by his command of jazz, blues, funk, pop and classical musical styles. An award-winning composer, Chris' natural talents have made him the go-to composer for genre-bending modern classical music. His compositions for artists such as Time for Three, Regina Carter, & Eileen Ivers have been performed in major concert halls all over the planet. The Chicago Tribune calls Chris, "A composer with a real flair for lyrical melody – a 21st Century Lenny Bernstein."
Fullerton Jazz Orchestra & Big Band with Chris Brubeck, trombone
Beethoven: "Spring" Sonata, Op. 24 C. Franck: Sonata in A Major Schumann: Three Romances, Op. 94
Flautist and conductor Jean Ferrandis enjoys an international career that takes him throughout Europe, Asia, and North America. He has presented recitals, performed chamber music, and appeared as soloist with orchestra in such prestigious concert halls as the Salle Pleyel and Théâtre des Champs Elysées in Paris, Alice Tully Hall in New York, the Tapei Arts Center, Wigmore Hall in London, La Fenice in Venice, Hamarikyu Hall in Tokyo, the Vigado in Budapest, the Palau de la Musica Catalana in Barcelona, and the Moscow Tschaikovsky Conservatory, under such conductors as Leonard Bernstein, Tibor Varga, Laurent Petitgirard, and Yoram David. He has been invited to numerous festivals, including the Lanaudière in Canada, Switzerland's Sion Festival, the Budapest Spring Festival, the Midem Festival in Cannes, and the Berlioz Festival in Lyon. Chamber music collaborators have included Gidon Kremer, Ivry Gitlis, Jean Philippe Collard, and Emile Naoumoff. His appearances at the 2006 National Flute Association convention in Pittsburgh, an event attended by three thousand flutists, included a gala headliner concert in Heinz Hall and a master class.
featuring works by Beethoven, Duparc, Copland, Schubert, Schumann, Poulenc, Still, Quilter and Bach
Dr. Mark J. Goodrich currently maintains voice studios in Long Beach, San Francisco and Berkeley, CA. He has served on the voice faculties of Boston University (Chair of the Voice Department), California State University, Los Angeles, and California State University, Fullerton, where he chaired the vocal program for over a decade.
His students can be heard in leading roles in major opera houses all over the world including The Metropolitan Opera and New York City Opera in Manhattan, Paris Opera, San Francisco Opera, Santa Fe Opera, Chicago Lyric Opera, Boston Lyric Opera, Los Angeles Opera, Opera Pacific, Opera San Jose, and others. Many others have participated in prestigious opera programs such as the Met Young Artist Program, the Merola Program and other training programs with Santa Fe Opera, Opera Pacific, Los Angeles Opera, Cincinnati Opera, Chautauqua Opera, and the Aspen Music Festival. Many current and former students sing with professional choral ensembles, such as the choruses of Los Angeles Opera and San Francisco Opera, Pacific Chorale, American Bach Soloists, Philharmonia Baroque Orchestra, and Clerestory, among others. His students have also been winners or finalists in major vocal competitions such as the George London Competition, The McAllister Vocal Competition, The Zachary Competition, The Marilyn Horne Foundation, The Bel Canto Scholarship Foundation Competition, The NATS' LA Young Artist Competition, the regional Metropolitan Opera Competition, and the Young Artist of the Year Competition in Los Angeles, among others.
California State University, Fullerton
Christopher Peterson, director
William Byrd: Sing Joyfully
Sergei Rachmaninoff: Bogoroditse Devo
Johannes Brahms: Fragen
Z. Randall Stroope: Lamentations of Jeremiah
Wolfgang Amadeus Mozart: Regina Coeli, K. 276
C. A. Pinto Fonseca: Muie Rendera
Eric Barnum: Afternoon On a Hill
Stacey Gibbs: Daniel, Servant of the Lord
Irvine High School
Tina Glander Peterson ~ Director of Choirs
Jill Brenner ~ Collaborative Artist
Vijay Singh: Dance Today With Joy
Norman Dello Joio: Come To Me, My Love
Emma Lou Diemer: Dance, Dance My Heart
Anders Endenroth: Bumble Bee
Paul Halley: Soldier, Won’t You Marry Me
College of the Canyons
Lori Marie Rios, Director
Emil Iliev, Accompanist
Repertoire to be selected from:
Frank Ferko: Laus Trinitatis
John Clemens: Flower of Beauty
Johnnes Brahms: Der Gang Zum Liebchen
Kevin Memley: She Walks in Beauty
Luiz Castillo: Son de la loma
Maurice Duruflé: Ubi Caritas
arr. Craig Hella Johnson: Light of a Clear Blue Morning
arr. Annie Nepomuceno: Man in the Mirror
Beethoven | Sonata for Violin and Piano in G Major, Op. 30, No. 3
Dvorak | Romantic Pieces for Piano and Violin, Op. 75
Ravel | Sonata for Violin and Piano
Amy Glidden is currently the associate concertmaster of the Buffalo Philharmonic, a position she has held since 2000. A native of Wichita, Kansas, Amy attended the University of Kansas, where she received a B.A. in Biology as well as a B.M. in Violin Performance. Subsequently, she received a Master of Violin Performance degree from the Cleveland Institute of Music. Amy has performed with the Phoenix Symphony, the Toronto Symphony, the Fort Worth Symphony, and the Canadian National Ballet Orchestra. While a resident of San Francisco, Amy served as assistant concertmaster of the Marin Symphony and concertmaster of the Mendocino Music Festival. She travels west each summer to participate in the Sun Valley Summer Symphony and the Grand Teton Music Festival, where she has been a festival participant for 4 years.
Füreya was born in Istanbul in 1975 where she started playing the piano at the age of 3 1/2. Her formal music education began at five years of age with master artist and professor Sibel Kudatgobilik at Istanbul University State Conservatory. In 1996, Füreya was granted her bachelors degree from Istanbul Conservatory. She has been awarded two masters degrees. Her first masters was granted from Istanbul Conservatory, her second from the Hochschule für Musik und Darstellende Kunst Frankfurt am Main.
After her graduation from Istanbul Conservatory in 1996, she gave solo recitals at the 2nd International Cemal Resit Rey Piano Festival and was personally selected by Hüseyin Sermet to play with him at the closing concert of the festival. From 1996 to 1998, she taught piano at Istanbul Conservatory.
During the last ten years, Füreya has been selected to perform in the master classes of Irina Zaritskaya, Mikhail Voskresenski, Anatol Ugorski and Leontina Margulis. Throughout 1995 and 1996, she studied in Monaco with State Artist Hüseyin Sermet at the Monaco Music Academy. In 1998, Füreya was admitted to the class of Arkady Aronov at the Manhattan School of Music. In 1999, she was granted a full scholarship by the Turkish Educational Foundation to study in Frankfurt, Germany with Catherine Vickers. After her return to Istanbul in 2002, Füreya was a teacher and accompanist at Yildiz University.
As a concert artist, she has performed as soloist with the Istanbul State Conservatory Orchestra. She is a member of the faculty at California State University Fullerton and Santa Ana College. Füreya has given a number of concerts and recitals in Turkey, Germany, Monaco and France.
Associate professor, soprano Patricia Prunty, has made her mark on both the operatic and concert stage. As winner of the Center for Contemporary Opera’s International Competition, Prunty presented her Weill Recital Hall debut in 2000 and Carnegie Hall debut the preceding fall. An active soloist, she continues to perform with such groups as Pacific Chorale, Pacific Symphony and Trillium Ensemble. Her many engagements have taken her to Africa, the Middle East, Paris and Stockholm, and her credits include performances with the Los Angeles Opera, San Diego Symphony and New York’s 92nd Street ‘Y’. A former student of the renowned Phyllis Curtin, she received her M.M. from Yale University and her B.F.A. from Marshall University. She joined the Music Department’s vocal area in 2003.
A benefit concert in support of scholarships for music students, dynamically staged all around Meng Concert Hall
"The Clayes Collage Concert showcases both the stellar talent of our Music Department students and our exquisite Meng Concert Hall. It is an incredibly unique and memorable evening of music."
- President Mildred García
The CSUF Cello Choir, directed by Professor Bongshin Ko, has been in existence since Spring 2001. Its purpose is to introduce music students to the vast array of performance literature for cello ensemble and advance the performance practice of the cello choir. The group's activities offer a combination of rehearsals, sectionals, workshops/master classes and concerts with guest artists and conductors. This concert as a part of the annual cello festival at CSUF will be collaboration of the Cello Choir with acclaimed guest artists and the Diamond Bar High School Symphony Orchestra, including the Haydn Cello Concerto in C major, featuring Professor Ko as its soloist, and the turbulent Fourth Symphony of Tchaikovsky with guest conductor, Sey Ahn.
Sam McElroy, baritone with Gabriela Montero , piano
Educated in modern languages at the University of London, and in music at London's Guildhall School of Music, the Irish baritone Sam McElroy has enjoyed an international career in opera singer since making his debut at the Paris Opera in 1996. In 1999 he represented Ireland at the BBC Singer of the World Competition in Cardiff, Wales, winning acclaim for his interpretations of Schubert and Britten. His diverse repertoire spans more than 30 principal roles across 4 centuries and 6 languages, including a world premiere of Sir Harrison Birtwistle's Io Passion at the celebrated Aldeburgh and Bregenz festivals. In the Lieder and Art-Song repertoire, Sam has won particular critical acclaim for his interpretation of Schubert's Winterreise (Winter Journey). He currently collaborates with the renowned Venezuelan pianist and composer, Gabriela Montero.
Sam McElroy performs Die Winterreise with Gabriela Montero at the Martha Agerich Festival
Call of The Messenger for solo Bass Flute, C Flute, and live electronics by Jason Heath
Sara Andon - flute, Jason Heath - electronics
Four Dreams for bass clarinet, percussion, piano, and electronics by Dmitri Tymoczko
Brian Walsh - clarinet, Nick Terry - percussion, Aron Kallay - piano, Isaac Schankler - electronics
Refuge for flute, clarinet, violin, cello, and piano
Sara And on - flute, Brian Walsh - clarinet, Sarah Thornblade - violin, Ashley Walters - cello, Aron Kallay - piano
Nigerian Spam for percussion and electronics - Shaun Naidoo
Bang for flute, clarinet, piano, percussion, violin, cello and electronics - Douglas Knehans
Sara And on - flute, Brian Walsh - clarinet, Sarah Thornblade - violin, Ashley Walters - cello, Aron Kallay - piano, Isaac Schankler - electronics
Aron Kallay - piano
Brian Walsh - clarinet
Sara Andon - flute
Nick Terry - percussion
Ashley Walters - Cello
Sarah Thornblade - Violin
PIE showcases ambitious and innovative uses of electronics in concert music, as well as classic works by electronic music’s early pioneers
Mihai Craioveanu is Professor of Violin and Chair of the Strings Area in the Music Department at Hope College. Hailed by the prestigious magazine The Strad, as "stunning...brilliant", Mihai Craioveanu has concertized to great acclaim throughout the world. World renowned pianist Radu Lupu and violinist Jamie Laredo, describe him as "very impressive" and a "superb violinist".
Mihai Craioveanu performed sold out concerts in legendary concert halls, such as Carnegie Hall in New York City, Palau de la Musica in Barcelona, Atheneum Hall in Bucharest, and the nationally televised "Hour of Power" program at the Crystal Cathedral, in California. He also performed on the television program "Joy of Music" hosted by the organist Diane Bish, program broadcast nationally and worldwide.
The Lloyd Rodgers Group will perform "Guns into Mexico" in a gala 10 year anniversary celebration of the work, premiered in November, 2004 with the original instrumentation of two percussionists, electric organ and electric bass. " Guns into Mexico" is a 45 minute tour de force of live music, video and electronic music.
The Lloyd Rodgers Group is:
Luigi Cilloniz, percussion
Bruno Cilloniz, percussion
John Glenn, electric bass
Lloyd Rodgers, electric organ
(recommended for mature audience because of some nudity and violent content)
Gabriela Montero, piano with special guest Eduardo Delgado, piano
Gabriela Montero returns to the Meng Concert Hall stage performing works by Schumann and Mendelssohn, plus her signature improvisations.
Schumann: Fantasie in C, Opus 17
Schubert: Fantasie in F Minor, D. 940 with Gabriela Montero & Eduardo Delgado, pianos
Gabriela Montero’s visionary interpretations have won her a quickly expanding audience and devoted following around the world. Her engagements include acclaimed performances with the New York Philharmonic, LA Philharmonic at the Hollywood Bowl, Cleveland Orchestra, Atlanta Symphony Orchestra, San Francisco Symphony, Chicago Symphony, Pittsburgh Symphony, Philadelphia Orchestra, Philharmonia Orchestra at the Royal Festival Hall, and WDR Sinfonieorchestre Koln. Recent collaborators include conductors Claudio Abbado, Gustavo Dudamel, James Gaffigan, Lorin Maazel, Yannick Nezet-Seguin, and Leonard Slatkin. In recital she has appeared at the festivals of Salzburg, Istanbul, Kuhr, Ravinia, and Tanglewood, as well as the Koln Philharmonie, Tonhalle Dusseldorf, Kennedy Center and Library of Congress in Washington DC, Wigmore Hall in London, Gewandhaus Leipzig, National Arts Centre Ottawa, Orchard Hall Tokyo and at the ‘Progetto Martha Argerich’ Festival in Lugano where she is invited annually.
Gabriela Montero’s visionary piano interpretations have won her a quickly expanding audience and devoted following around the world. “Montero’s playing had everything: crackling rhythmic brio, subtle shadings, steely power...soulful lyricism...unsentimental expressivity.” - The New York Times